Monday, December 31, 2007
Saturday, December 29, 2007
Just when I want to trade in my artists' card for something more valuable, (like a shit taco or a used Honda Civic) I see something that changes my mind. Today I tried going to the Jewish Museum, but the line stretched for blocks, so I went to the Berlinsche Galerie down the street. I was hoping for nothing more than a semi-cool Max Beckmann print and a fancy bathroom where I could relieve myself. Instead, I saw one of the strongest and most exciting group shows I've ever seen. It was called, "Neue Heimat, Berlin Contemporary" and had the work of about 20 Berlin-based artists. It was really refreshing. Whether or not I liked all the work or it aligned itself with my aesthetic tastes isn't the point, all of the work was solid and well-conceived, and some of it was really exciting and ballsy. I found myself getting really excited about Nordic photography, slow-moving videos and patterned quilt-tents. The videos especially, seemed to really push the medium.
In my mind, this exhibition lived up to the trendy Berlin mist that is super dense at the moment.
The images don't really do any of the work justice, but I'll post some anyways.
Friday, December 28, 2007
I went in this one gallery, and the director was like the nicest woman I've ever met. Too nice actually. She talked my ear off as I looked at documentation of a staged performance of a woman with a bag over her head. It was like a less hearty and caloric Marina Abrokamovic. Anyways, she said, "You are from New York yes?" So, I lied and said I was from New York, and then I felt bad and bought a one-dollar postcard of this weird photo of the New York skyline. D'oh.
Then I drew a pillowfight boarding school scene. Then I went to this Brazilian restaurant that specializes in fruit/meat dishes. It was sooooo fucking good. Then I went to a bar by myself and had 2 whiskey and cokes with neon raver straws. I didn't get drunk and I felt kind of stupid pretending to read my phrasebook in the dark. Now I'm home eating capuccino chocolate in my long underwear!
Risa and Rose come on Monday, hopefully I'll have debauched tales to tell of our New Year's as my BadAssedness is waning in favor of chocolate and Apfelsaft.
P.S. I keep forgetting to mention this, but if you go on the subway after 9 PM everyone is drunk. I swear to god. I usually like and appreciate this, but tonight some girl made loud hiccup noises everytime the train stopped and I wanted to eat her.
P.P.S. People are setting off fireworks in the street, and I keep thinking that they're gunshots or something. You'd think I grew up in Compton to see me duck and cover.
Wednesday, December 26, 2007
I met a nice man named Rolf who bought me mojitos in hopes of scoring. He works in a family-owned plastics factory, speaks very little English and wore a tye-dye shirt. In a rush to leave (so as to avoid the "can I drive you home" speech) I put on my sweater upside down and Rolf had to help me get it off in the middle of the bar. It was very embarassing. Rolf was a nice guy and one of the only people here who seemed interested in talking to me. Too bad we didn't speak the same language. Or too bad we couldn't make due with "zeeee language of love," or Esperanto or something.
Tuesday, December 25, 2007
I ate a nutella crepe with WunderSchocolade and it made my heart swell with Christmas spirit and momentary diabetes.
Then, I saw Elizabeth: The Golden Age. I realized this was the first time I had ever been to a theater alone, you know, cuz usually I go with my D&D group n' shit. Um, German movie-going is weird, here's why:
-They assign you a seat and everyone actually sits in their assigned seat! (half the movie theater was empty, but most of us were huddled in the center, I'm guessing out of fear of the German Cinemastappo.
-There were a good 45 minutes of commercials, most of which involved cell-phone plans and the implication of "doing it." I like the free-wheeling "doing it" aspect of German advertising, I mean, my thumbs are completely erect on that one. But why so many commercials? It was annoying. I had already finished my "Cab" cola (which is cola and beer mixed, mmmmmm) by the time Cate Blanchett appeared onscreen. And I needed that buzz to dull her overwhelming whiteness.
-Everyone stayed until ALL the credits were over. I was honestly so weirded out by this. Not one person moved until the screen was completely still. I guess Germans like rules a lot.
But you know what? My assigned seat was M20, and I moved to M21. In your face Kino International authority!
*A note on the movie: I really enjoyed it and even shed a little tear for poor, alienated Elizabeth. However, I can't tell if I liked it because it was a good movie or because I like any and all period dramas.
Monday, December 24, 2007
Virgin or Slut: Pick One
and a Gossip Girls novel, all the juicy parts underlined in pink pen. Welcome to contemporary American adolescence, where sexuality is either up for sale or moralized into nonexistence.
On the one hand we have a hypersexualized and pornified pop culture -- thongs marketed to tweens, Victoria's Secret ads with models who don't look a day over 13, and reality shows like A Shot at Love on MTV, where both men and women will do anything -- including jump in vats of chocolate and discuss their sexual histories on national television -- all for instantaneous love with a petite model. The message to young women is loud and clear: Your body is your power. Flaunt it. Use it. Get attention. The message to young men is also unmistakable: Your gaze is your power. Your role is to judge and comment on women's bodies. As a man, you are inevitably obsessed -- sometimes stupidly so -- with the female form.
On the other hand, we have a federally funded (over $1 billion thus far) abstinence-only sex education program in this country. According to the Guttmacher Institute, nearly half (46 percent) of all 15- to 19-year-olds in the United States have had sex at least once. According to the government's most comprehensive survey of American sexual practices to date, more than half of all teenagers have engaged in oral sex -- including nearly a quarter of those who have never had intercourse. Regardless of this reality, health teachers from Nacogdoches, Texas, to Newark, N.J., are taught to emotionlessly repeat -- as if pull dolls of the Bush administration -- "The only guaranteed way to avoid pregnancy and STDs is abstinence. The only guaranteed way to avoid pregnancy and STDs is abstinence. The only guaranteed way to avoid pregnancy and STDs is abstinence."
Here, the message to young women is also resolute: Your body is dangerous. Control it. Ignore it. Don't ask any questions. Teen girls are cast as asexual princesses happily trapped in towers, guarded by their Bible verse-spouting fathers. The message to young men is more subtle. In this fairy tale written, produced and directed by abstinence-only advocates, teenage guys are both potential villains -- the oversexed, hormone-crazed young men who must be refused continuously by good girls -- or potential knights in shining armor -- saving enough money from their summer jobs to buy sparkling rings that will save their sweeties from the hell of slutdom.
In between pornified culture and purity balls, in between the slut and the virgin, the stupid, lascivious dude and the knight in shining armor, in between the messages directed at young women -- your body is your power vs. your body is dangerous -- and young men -- your gaze is your power vs. your gaze is dangerous -- are real young people trying to develop authentic identities and sexual practices. And they are struggling mightily.
Too many of them are diseased, disordered, and depressed -- participating in inauthentic performances of sexual bravado, cut off from their bodies' true appetites and desires, and hurt because they can't seem to identify or communicate their own boundaries.
How could we be surprised? We've constructed a polarized culture that gives teenagers edifice, not education. We've sent them out into the wildly complex country of contemporary adolescence without the essential weapons -- sexual literacy, communication strategies, self-reflection exercises, and at the very least, accurate information about anatomy and contraception.
We've let the increasingly conglomerated raunchy mass media pollute the visual world with plastic, codified images of "sex" and the increasingly out-of-touch, religious and righteous federal government play Pollyanna -- deaf, dumb and blind. As the schools relinquish responsibility for educating American teens about sex, the advertisers and networks step in, providing an airbrushed, inauthentic, unrealistic view of sex and the bodies that are "doing it." They're happy to play sexy nanny while our government officials and educators are out to lunch; it guarantees ratings and the next generation eager to fork over cash on products marketed to their effectively socialized inadequacy.
Saturday, December 22, 2007
Ok more on the Mike Kelley show, since I am awake and bored:
It was amazing. He had a myriad of different glass vitrines encasing crystalline structures which referenced cityscapes (and sometimes dildos). Connected to these cities (which actually are based on Kandor from Krypton: i.e. the only remaining city on Superman's home planet) were tanks which pumped oxygen (?) to the little planets. Meanwhile, there were projections of windswept glass jars and a soundtrack that sounded like a NASA siren.
Oh, and there were also holograms! The holograms were of the same glass cities inside a flesh-colored rocket ship which again, referenced a rubber phallus (but in a very subdued, tasteful way). The whole show was pretty slick and super designy, which is not usually my thing, but it made sense with his cosmetic planet idea. Keeping in mind that it was Mike Kelley, the whole thing was pretty subtle----my description makes it seem more concrete than it actually was. It was one of the more enigmatic installations I've seen. Images above.
Next door was a wooden toy shop where I spent a good 20 minutes. I love thee Berlin.
An American stopped me on the street today, and asked if I was Ellen Page, the actress from the new movie "Juno." I think the woman was mildly blind and most likely intoxicated, but for good measure I have put up the following picture of me mimicking my underage doppleganger (gaw, no wonder people ID me all the time).
In other news, I saw a fabooolus Mike Kelley show at Jablonska Gallerie, which I will describe more in depth later. I also saw a good drawing show of Bettina Krieg's at Spesshardt & Klein. Annnnd I tried to make it to the Gay Museum, but went the wrong way and ended up at "Berlin on Ice."
Insert numerous jokes about them being the same.......here.
Friday, December 21, 2007
Here are all the super-duper-deutsch things I did today:
-Ate an eclair for breakfast (not necessarily Deutsch, but certainly a long held fantasy of mine)
-Saw a Chloe Piene show at Barbara Kremm Galerie (as recommended by Teresa Hubbard, who also shows there)
-Saw Queen Nefertiti at the Egyptian Museum. The Egyptian Museum kind of rocked my socks off...and then replaced then with beautiful leaden sandals to drag me to the underworld.
-Saw the restored Pergammon Altar at the Pergammon Museum (thanks Shannon). It was breathtaking.
-Saw exquisite Islamic manuscripts that made me salivate more than my morningtime eclair (also at the Pergammon).
-Saw some kind of cool Deutsch painters at the National Gallery. Eh. Some of them restored my love of painting a little. There were a couple of Lovis Corinth's that caught my eye.
-Ate SwineFleisch Schnitzel. This is breaded pork in some kinda Deutchsauce. It was delish, but heavy as shit. It is sitting in my stomach like the Hindenburg.
-Drank a Berlinner Pilsner. MMMMm.
Here's the one bad thing that happened today: my cigarette partially froze in my mouth and pulled off part of my lip when I pulled it out. Ouchies. It's ok though, because now my lips are swollen and lovely like a starlet's.
*I was going to go to a Turkish Bath tonight, but I think I'll save that for later....internet wink.
Wednesday, December 19, 2007
I did paint today though, but only inside my poorly heated cell.
Here's an interesting statistic:
No. of beers Ali has had in Berlin: 3
No. of times Ali has almost been run over by a tram: 3
A sidnote on the beer: It's awesome. And I don't even like beer that much. And it's like .50.
I tried going to this fun bar I read about tonight, but I couldn't find it. Chances are, I would have just sat in a corner by myself, reading my lame german phrasebook and drinking my appfelsaft. How's that for an exciting tour Axel? Me drinking my apfelsaft all lonely n shit. Huh?
Tuesday, December 18, 2007
Is this getting boring yet? Next I'm going to show slides of myself watching myself watching slides of when I went to Coney Island.
Here's something adequately gross to satisfy you: I went to this medical anomaly museum inside a Bavarian style hospital complex called Charite. It was so cool. And they had these amazing prints of hospitals from the 1800s---probably some of the best art I've seen in a while. But the main draw for this particular museum was the crazy collection of jarred fetuses, toes of lepers and encephalitic skullcaps. I am so disturbed yet intrigued by these oddities. There was one fetus that was a cyclops. An honest-to-god cyclops! And there were conjoined twins...oh were there conjoined twins.
Apparently this doctor Gruffenpoopen or whatever collected all his dead patients (without their consent, but this was in olden times) and cataloged them meticulously.
Even though I've been to Ripley's Believe or Not Museum (excellent educational institution bar none) I have never seen shit like that. And it was displayed beautifully I might add, like some accountant-cum-murderer's secret cellar. I came close to puking a couple of times. But I stopped myself because that quiche wasn't that tasty.
P.S. I don't think anyone's actually reading my blog anymore, but I don't care because this is my travel diary and I have to speak in English for part of the day or I'll kill all the Germans.
Monday, December 17, 2007
Speaking of sculpture, there are a ton of former GDR sculptures in my hood.' I find them fascinating. Some of them are big burly working men, smiling up at the sky thanking Marx for all he gives them. Then, some of them are bears (communist Soviet symbol), there's this one where a lithe momma bear allows her little bearlings to suckle from her anti-capitalist teat. BUT the weirdest GDR sculpture I've seen was a tiny girl, who looked like a boy (with pecs and all) and she was wearing a skirt (but no top) and waving at someone (Stalin?). Weird eh?
Saturday, December 15, 2007
Short version: East Berlin is full of dilapidated Bloc architecture, biers, cigarettes and insane people. Yes!
Yesterday, I followed the Berlin Wall all the way down, it was sad and beautiful.
Um, whoever said everbody speaks English in Berlin was lying. At least not in East Berlin (I am in the Friedrichshain district). So, Ive been trying to get by on my meager German, which has been like a sitcom. I asked for a sandwich and got a donut. I thought I was going into a cafe and I entered some kind of secret underground Chinese Bistro. Luckily, Ich Learne sehr schnell.
Sidenote; I just saw a German motorcycle gang with Christmas trees strapped to their backs. No joke.
I have been looking for the Apple Store for 4 hours; I need an adapter to make my lil baby computer work.
Also, Dennis, I dont take pictures, because I am an idiot. But it looks like Beautiful\Decay has done that for me. Zimmermans, somebody doesnt think we´re vanilla! I dont remember where I know B-D from but I think it might be sponsered by Deitch, which I find funny.
Wednesday, December 12, 2007
Tuesday, December 11, 2007
I'm in Charlotte now, hanging out with my momma. Here are some things that she made me do today that are like, so like totally mommish:
-Get a flu shot. Bleh, I like the flu and the weird things it does to my body. Muscle cramps and sweaty hallucinations? It's like Ibiza in my stomach!
-Cancel my gym membership (as the steamroom and all its body smushing is not worth half my salary).
-Cancel my phone service (while secretly trying to retrieve the number of "underage Cuban").
-Listen to three hours of Beginning German tapes. Um. German is funny. They have a number called "elf."
-Tell my grandmother I'm going to quit smoking.
-Watch "I Pronounce You Chuck and Larry," which is about to start, so I have to go now.
Saturday, December 08, 2007
*To clarify: the underage Cuban in question was a young Cuban boy who wanted to take Anjali and I to La Playa. He kept calling me "little white girl," which I find funny in light of my recent series.
I saw a lot of good art, and a lot of shitty art. Seriously, there's just too much to really retain. I liked Aqua best of all actually. Yes, I'm kind of full of shit (as I was a participating artist there) but I liked the casual presentation and atmosphere.
*I missed a lot of stuff, so I have very little room to compare Aqua to anything else. I heard the Rubell collection was amazing, but my grams was tired (she waddled her way to Miami!) and so I couldn't go.
Risa and Arturo are on Artforum diary! I'm so jelly, here's a pic:
|Left: Geisai artist Eric Doeringer. Right: Art Palace's Arturo Palacios and Risa Puleo.|
I'm erecting a creepy taxidermied girlcrush altar to Elaine Bradford.
I am not as good as I thought at bodysurfing.
Vagina shells do exist.
Takashi Murakami is kind of a prick when he thinks someone (me) is stalking him on the street. Even if that person (me) is totally awesome and just wants to sniff his moo-moo or tunic or whatever.
London galleries are hawt.
Miniature things are hawt.
Miami is hot (and hawt) and colorful and full of good-hearted cliches like speedoed men on roller blades and ill-fitting coconut bra-ed women (also on some kind of roller bladeish vehicles).
Saturday, December 01, 2007
One highlight: Two of my students dressed like robots. That means I did something right.
I'm going to get a double cheeseburger now.
Saturday, November 24, 2007
And there seems to be a mouse-like thing making mouse-like noises, although I am hesitant to call it a mouse because then I would have to deal with the dirty little thing.
I had two delightful Thanksgivings. One was Risa's "Baby Thanksgiving" replete with miniature cornish hens, baby carrots and tiny cranberry molds (and baby-themed movies like Rosemary's Baby and Whatever Happened to Baby Jane?). The other was Erin Curtis' lamb feast, replete with lamb, sneezes and cigarettes.
In self-promotion news, Austin is featured in Art in America this month, and one of my diorama pics made it in. Suck my toes again bitches (please....they're very cold). I don't know how I feel about the article though, it's pretty ho-hum in that it discusses the exchange of institutional money more than it talks about art.
Also, I decided to change the format of my blogging for Berlin, take note:
In the spirit of Chris Isherwood's The Berlin Diaries, I shall diary in Berlin. Quite a leap, I know!
But I am going to journal in different characters' voices. I will write as Sad Little White Girl, Chuck Tracy, and Nancy Drew. I love pasty detectives!
Friday, November 16, 2007
I think it's fucking brilliant.
Here's what Dan Cameron says about it in Artforum Diary (AKA:"Let's-Gang-Bang-Hans-Ulrich Obrist-in-a-Photo-Op-Weekly"):
Two images, bookends really, stand out from Creative Time’s presentation of the Classical Theatre of Harlem’s (CTH) production of Waiting for Godot in New Orleans’s Lower Ninth Ward last Saturday night. The first image was celebratory—at precisely 7:30 PM, Rebirth Brass Band kicked off a typically raucous secondline, and the steady flow of five hundred attendees through the front gates and into the bleachers marked the first occasion since Katrina that the crippled neighborhood has been a cultural focus for the rest of the city. The second image was considerably more somber. After taking their final bows, cast members turned their backs on the audience and walked briskly into the inky nighttime panorama from which most had made entrances: a nondescript backstreet leading ominously toward the same levee whose breach two years ago nearly transformed this neighborhood into a ghost town.
Today, life in the Lower Ninth Ward is infused by the grassroots politics of postcatastrophe housing, a local movement focused on the homes of thousands of families displaced by the floods that followed Katrina, who would like to come back to their old neighborhood but lack the means to rebuild or relocate. Stripped of some 80 percent of its prestorm habitation, and with experts warning locals that their homes are all but guaranteed to flood again, the Lower Ninth Ward is a neighborhood whose bereft residents, after waiting patiently for the government to help them, are now engaged in the remarkable (or, if you insist, foolhardy) struggle to take back their weed-choked empty lots on their own. A better locale for Godot could hardly be imagined, an assertion borne out in local housing activist Robert Lynn Green Sr.’s short but heartfelt preshow benediction. More eloquent still were the scattered gasps and applause when Vladimir (played by New Orleans native Wendell Pierce), having been asked by Estragon if he recognizes the place where they are standing, turns toward a field of weeds with outstretched arms and bellows with indignant sarcasm, “Recognize it? What is there left to be recognized?”
|Left: The Rebirth Brass Band. (Photo: Frank Aymami) Right: Jenisa and Isaiah Washington with artist Mark Bradford. (Photo: Brendan Griffiths)|
The masterstroke of Creative Time’s production was not simply staging Godot in the Lower Ninth but presenting it outdoors, at night, on a once-thriving street corner so pulverized by the 2005 floodwaters that barely a visible trace of a house remains. In the middle distance, a pair of FEMA trailers huddled forlornly, while the faraway hum of cars crossing the bridge and the nearby rustling of wind through dried weeds blended eerily with the visual accompaniment of boats gliding slowly and soundlessly up and down the river, which hovered invisibly in the background. Under Christopher McElroen’s brisk direction, Beckett’s famously verbose play, which is equally revered for its long and weighty silences, generated fevered monologues and existential retorts that would sometimes hang in the air for several moments, while ghosts whispered noisily in the adjacent fields.
The spellbinding two-and-a-half-hour production was largely the brainchild of artist Paul Chan, who visited New Orleans a year after Katrina and couldn’t shake the impression of so many people waiting for something or somebody who would probably never appear. After securing the collaboration of McElroen and the CTH, Chan began the slow process of befriending artists, educators, clergy, and neighborhood leaders throughout the city, eventually attaching himself to the art faculties of UNO and Xavier University, and otherwise weaving a diverse network of supporters that enabled him to bring together a remarkable cross-section of New Orleanians—along with a sizable contingent of out-of-towners—for an open-air, world-class production of an avant-garde play in a neighborhood where few have ventured since the floodwaters receded. As if to burnish the Lower Ninth’s growing significance as a festering symbol of Bush-era cronyism and ineptitude, hundreds of would-be spectators had to be turned away the first two nights due to lack of seating, resulting in a third night being added, and the production’s success will no doubt precede it when it moves to the nearby Gentilly neighborhood this weekend. With his stunning one-two act of creative jujitsu, Chan has succeeded in giving the people of New Orleans an unforgettable night of theater and has provided the art world with a tangible platform for connecting with New Orleans’s meaning in the coming post-Bush era: living witness to the failure by the US government to provide its citizens with even the most basic protection and recovery during and after the largest natural disaster in our country’s history.
Tuesday, November 13, 2007
I drove to Dallas the other day to check out the Road Agent space for an upcoming show I'm doing with Sterlz and Peat. It's a really airy, high-class place. Afterwards, I went to the Meridian bar for Margaritas, which tasted like Dallas: just a hint of pearls and misplaced pride.
I also watched "Tila Tequila: A Shot of Love" on MTV. Every challenge is so stupid and usually is some thinly veiled reference to fellatio. After talking about lofty art school concerns all day Tila Tequila and her car-washing, pie-eating make out sessions help to soothe my brain.
I am making a boarding school out of gold.
I am going to whittle myself a wheelchair.
My mom has a boyfriend.
Risa has a parasite.
I spent 5 bucks on an exceptionally boring issue of National Geographic.
Yun Fei Ji has kind eyes.
Half of my students have mono.
Ivan Lozano is the king of the bloggers.
I have so much work to do before Miami.
Long hair on women is ugly.
Wednesday, November 07, 2007
Stalking Amy Tan. Barbecue from Georgetown BBQ. Suddenly Last Summer starring the fiesty, bedazzled Liz Taylor as a New Orleans crazy. Cabaret. Fancy art parties I have not been privy to. Cigarettes. Mustard chicken (of the German variety) at Whole Foods. The Longbranch (update: not banned, just openly disdained!) Theatre people who gesticulate. Persepolis 2. Falling asleep in class on the nude model sofa. Asking random people to tell me I resemble Liz Taylor in the aforementioned movie (people who reply that I look like Liz Taylor post-brain tumor belong in the second category). Paella and cupcakes and a Facebook fan page, all made by my lovely students. Being a reclusive diorama-maker, whittler and all-around geriatric butter-churner.
-New book written by David Lynch about transcental meditation. It was an impulse buy. I was wearing my bad idea pants.
-Trying to learn German: so far I've only learned one phrase, and it's the German equivalent of "let's do it."
-Slow, leaking tires that hiss at you with their fancy hissing mechanisms and euro-peeeeeeean treads.
-Forcing Trenton Doyle Hancock to watch Happy Feet
Thursday, October 25, 2007
Sometimes teaching makes me really happy.
I gave one of my classes an article from the new Modern Painters about art school being completely wack and I gave another class an article on the delightfully psychotic art of Yayoi Kusama. I also gave my students a mandatory movie assignment wherein they watch a film of my choosing (teaching is awesome; the fact that I can make someone watch Sleepaway Camp on a whim is true power). I did however notice similarities between most of the movies I assigned.
Lots of them are Spanish (because the Spaniards are dark and unknowable, like a bowl of mystery Paella in a poorly lit cafe) and/or film noir. Maybe I am nostalgic for my Spain dayz now that I am headed to another epicenter of Euro-hedonism. And also because I would fuck the shit out of Luis Bunuel.
So I guess that's what I like in a nutshell (incise a tilda into said nutshell). Here are some of the movies I gave them, the list includes many of my favorite movies
-The Cook, The Thief, His Wife and Her Lover
-All About My Mother
-Gone With the Wind
-Perfume de Violetas
-A Streetcar Named Desire
-Waiting for Godot
-Realms of the Unreal
-The Adventures of Baron Munchausen
-Curse of the Cat People
-Breaking the Waves
-Also, two British miniseries: Tipping the Velvet and Tess of the D'Urbervilles (sp?) Melodrama abounds in these two!
There are more but I can't remember them.
Monday, October 22, 2007
Risa and her girl Rose are going to visit me and we're going to go to Copenhagen together and eat Danishes and ride bicycles and spit on the giant lego wunderland!
Ah Berlin: Liza Minelli, sex-dungeons, cabarets, cross-dressers, and eye makeup. My heaven? Yes.
Tuesday, October 16, 2007
*I mean "Skip" by the way, not the nerdy dude in the beginning.
*Maybe I'm posting this because Jake J's pastiness accusation made me feel self-conscious. Jake J: Do you think Agent Scully's complexion is weird? I didn't think so.
Sunday, October 14, 2007
Asshole assimilation step 1! Complete! Now onto physical abuse!
Excuse the amateur photography, no one has ever accused me of documenting my work well. I've also included pics of me and my girl Rizza dressed as Mr. Mercury. Enjoy!
Sunday, October 07, 2007
Thursday, September 27, 2007
Sorted According to
Whether or Not You
Can Eat the Victims.
BY MARYAM AKBARI AND SEAN MICHAELS
- - - -
Illnesses Whose Victims
May Not Be Safely Eaten
5. The common cold
6. Hodgkin's disease
9. Crohn's disease**
10. Mono (aka mononucleosis, the Epstein-Barr virus, the kissing disease)
14. Herpes (genital or oral)
Illnesses Whose Victims
May Be Safely Eaten
1. Color blindness
2. Tourette's syndrome
3. Alzheimer's disease
4. Breast, thyroid, liver, and prostate cancers****
11. Muscular dystrophy
13. Type 2 diabetes
14. Parkinson's disease
- - - -
* It may be safe to consume a victim of hepatitis if you carefully avoid the liver.
** At one time, it was believed that Crohn's disease was a genetic disorder and thus its victims were safe to devour. Recent studies, however, suggest that Crohn's is an infectious environmental bacteria, linked to Johne's disease, which infects ruminants. If this is correct, victims of Crohn's may not be safely consumed.
*** It may be safe to consume a victim of malaria if the blood is drained and the liver is avoided.
**** Victims may not be consumed if cancer was induced by hepatitis virus.
***** Slight chance that these diseases would infect through the mouth/esophagus mucosa before they could be destroyed by the acidity of the stomach. Thus, their victims could not be said to be "safe."
BY STUART ZEHNER
- - - -
My Middle-School Students
in Korea Had About Our
"The rice is cold."
"The kimchi is dry."
Students Would Have If
They Were Served
"There's an entire fish in my soup."
"The fish in my soup still has eyes."
"The fish in my soup with eyes is full of fish eggs."
"What is this?"
"They made me eat off a metal tray with chopsticks."
"I was served a vertebra."
"This salad is clearly made from the bush in the front of the school."
"I told you last week I don't like fish eggs!"
"The menu says we're having chicken anus for lunch."
"The live baby octopus you served me stuck to my throat and died."
"There wasn't any pizza."
"This is dog meat."
"It's too spicy."
"The rice is cold."
"The kimchi is dry."
Wednesday, September 26, 2007
I heart Kristin Morgan. Besides her bad ass claycadillacs, hearses and eurocars, she showed an amazing collection of small work including painted Monopoly cards and faux romance novels.
The aforementioned work is one reason she's my new artcrush, here are two more:
-She was notorious in grad school for her messy studio and erected a false floor to cover up the junk-sea below it.
-She likened an aging Bette Davis to Boris Karloff in Frankenstein.
Tuesday, September 25, 2007
Just 50 years ago…
My father, God bless his soul, was 18 years old when nine black students walked through the doors of Little Rock Central High School and made history in 1957. My mother was 15 and was already attending an integrated school in Pennsylvania (her family having fled Mississippi as part of the post WWII northern migration).
My parents raised me on a steady Civil Rights diet. They were active in the movement and were proud of what they had accomplished, but they also wanted my sister and me to know…to remember…to understand that others faced violence and death for us.
That was my legacy…my inheritance...that people faced violence so that I could have a chance at a decent education.
The use of federal troops in 1957 to enforce the integration of Little Rock Central High School is featured in many a documentary including my favorite, Eyes on the Prize. I remember watching Daisy Bates and being so inspired and proud that a black woman activist was a key part of the struggle.
But there is one scene filmed on that first day in 1957 that is most powerful to me.
It features Elizabeth Eckford…her family didn’t have a phone and she didn’t know that everyone had planned to arrive together…and she arrived alone only to be surrounded by that mob. People were shouting and screaming and there’s Elizabeth Eckford...all alone. Her eyes are hidden behind sunglasses…her blouse and skirt were pressed and first day of school neat.
Merciful God, what she must have been thinking…how scared she must have been and oh so confused…and yet she stood unbowed. She tried to enter the school but was turned back around…she was bumped and shoved and her way was blocked. Finally she sat at a bus stop...visibly terrified, totally alone in a sea of hate.
Someone finally emerged from the crowd and guided Elizabeth Eckford to a bus, most likely saving her life.
That was day one.
And Elizabeth Eckford went back for day two...and the days upon weeks that followed.
I know…and will always remember that Elizabeth Eckford faced that mob alone.
She came home, probably pressed another dress before going to bed and then she woke up and returned to face down that mob again.
I carry that with me always. Sometimes I take it out and review it when things seem impossible or frightening or just not worth it.
A legacy…an inheritance…purchased with courage just 50 years ago.
Wednesday, September 19, 2007
I finally moved in to my treestudio and it is everything I thought it would be, including an alpine fragrance that brings me back to the days of nursing my invalid caretaker and yodeling alongside billy-goats.
My classes are going well, and I actually really like teaching 2-D Design, go figure. All my classes are excellent actually---inflates chest and shoots a hand/gun signal at invisible spectator. Plus, working a long, hard day has awakened me from my bodily complacency (i.e. sleeping in until someone knocks on my door in disgust).
Friday, September 14, 2007
Super snippy professor sister!
*See Brad Neely's Professor Brothers for comment clarification.
I have a really great figure drawing class at UT. I made them read a Miranda July short story involving Prince William and a rim-job as well as an interview with Tom Sachs. Then we talked about bodily obsession and consumerism. It was a really good, fruitful discussion, even though Miranda July and Tom Sachs make me feel weird inside.
I'm listening obsessively to the following songs:
Nina Simone, I Wish I Knew How It Felt to Be Free
Beirut, Gulag Orestar
Regina Spektor, Love Affair
The Origin of Love from Hedwig and the Angry Inch
That's all. If you see me on the street, undoubtedly wearing some derivation of the tweed suit, stay far away, for I am Super Snippy Professor Sister!